402 Royalty-Free Audio Tracks for "Mid Tom"

A one-minute realistic drum loop that sounds human not robotic, has some syncopation and variations in the pattern. Made with three of hbsample loops from:. Https://www. Looperman. Com/loops/detail/107486/hbs-savage-ensemble-drums-hi-toms-mixed-130bpm-by-hbsamples-free-130bpm-cinematic-drum-loophttps://www. Looperman. Com/loops/detail/107487/hbs-savage-ensemble-drums-taikos-and-hi-toms-i-130bpm-by-hbsamples-free-130bpm-cinematic-drum-loophttps://www. Looperman. Com/loops/detail/107488/hbs-savage-ensemble-drums-taikos-and-hi-toms-ii-130bpm-by-hbsamples-free-130bpm-cinematic-drum-loop.

Created with pure analog sounds from various drum machines and sinths, sampled with korg microsampler at 48 khz using the internal effects processor.

70's era korg univox sr-120 drum machine driven through gap-pre73 preamp sent through joe meek c2 optical compressor sent through aphex compellor compressor, limiter and aural exiter, recorded via sony pcm-d50. I think the univox is broken because i can't get any other sounds than tom-toms and claves from it.

A loop created from my personal collection of drum samples. Cheers!.

Just a mixture of multiple samples i created over time. Layering a swish noise which was basically a white noise sample with an eq envelope, lowpassed snare, and a not-so-highpassed clap, compressed and saturated. Enjoy!.

Very useful in discos and reggae tunes. . . Old school sound.

This is a recording of two gretsch catalina maple floor toms, one 14 inches in diameter, one 16 inches. I replaced the original tom feet with pearl air suspension feet, which gave a huge improvement in tone, resonance and sustain. Recorded with a sony ecm-ds70p stereo recording microphone into an iriver h340 mp3 player. Normalized in sony sound forge.

This is the dirty tony's tom 14''. He recorded it at johnny's studio, the only studio with a hole in the wall! it has been recorded with four mics, and this is the mix of all!.

High tom sound of behringer rd-6 recorded through laptop input.

Large industrial refridgerator, electric machine engine noise, field recording,. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a refridgerator in an industry in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Wish you success!kent. Ps. Please comment and rate. .

I read a famous quote by roosevelt (a transatlantic speaker) in a transatlantic accent, then put old radio effects on it. Hope it amuses you in some way.

Two octaves of a thick heavy bass stab with reverb. [format: wav][license: cc 0].

Semi tuned tom tom sounds. Frequency based on pitchshifting. "a".

Warped guitar riff and rhythm top fill with multiple fx.

This is a failed attempt at sampling a rock drumkit on 6 tracks. The channels are as follows:. 0: oh l1: oh r2: kick3: snare4: room l5: room r. I've captured this into ardour 5. 12 using 3 different audio interfaces:. Behringer umc202hd - overheads (dynamic mics)line 6 pod studio ux2 - kick and snare (condenser + dynamic)zoom h2 - room ambience (built-in xy condenser mics). This file is a 6-channel 24-bit flac file encoded using ffmpeg from the raw wav files exported from the original ardour session. There are several issues with this recording however:. 1. The tracks seem to drift, because the individual audio interface clocks were not in sync. The proper way to record multitrack audio is using a single multichannel audio interface - but i didn't have one. 2. There's either x-runs or some usb transfer issues creating small glitches and dropouts in various tracks her and there. Don't know why did this happen, as we've been tracking the real drummer's performance without these issues. Now - fixing these issues manually would be an insane amount of work, but i hope maybe someone has means to either solve them with programming a special tool, or know a tool that could fix these, and make this recorded session ready to be sliced as a drumkit for say - drumgizmo. There's some really good stuff in here - an i was able to cut and mix some really nice drum samples, that i've been using for years, but it's not ready to be fully sliced for maximum flixibility. The instrument was played by myself - it's a drumset by pearl (don't remember the details), owned by the drummer of a band i recorded this with. The band was called small hint - hence the drumkit name. We were recording an ep, and i used some free time left to capture this as well. The ep was never finished and we disbanded soon after. Regarding fixing the issues - here's what i think needs to be done:. 1. I think each hit would have to be automatically phase-aligned on all 6 channels, to correct for the drift. 2. I think it should be possible to automatically detect clicks by simply watching for a sudden change in amplitude between adjacent samples - marking bad areas and then using something like audacity's repair effect to interpolate the waveforms. I think the glitches have much steeper changes in amplitude than even the drum transients, so it should be possible to differentiate between those automatically. If you found a way to fix at least some of these problems - please let me know!. If you've made some "remixes" on freesound - i'd also love to know that. Apart from that - sample what you can out of this and make some sick drum tracks!.

Electric machine engine, rumble, large air-conditioner. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: november 2015, a rather large air conditioning unit in a public parking garage, in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Electric machine, engine, large air conditioning unit, hum, noise, field recording. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a rather large air conditioning unit in a public parking garage, in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Surround recording of the main square in the croatian town of trogir. Ther recorder is situated before the front porch of the cathedral, facing the city hall. It is 5 pm on a quiet summer day, some tourists and activity in the several cafés can be heard. The tower clock of the city hall strikes 5 in the middle of the recording. Recorded with a zoom h2. This file contains the rear channels, recorded with a dispersion of 120°.

Drum kit in ableton with corpus effect. Bass heavy tom sounds great for techno track.

This is the dirty tony's tom 16''. He recorded it at johnny's studio, the only studio with a hole in the wall! it has been recorded with four mics, and this is the mix of all!.

Field recording of times square in new york city recorded at 6 am on a saturday morning. The recorder is situated in the center of times square, some cars (mostly taxis) are underway, some (very few) people as well, cleaners and a team of subway construction workers are on the scene. Recording was conducted in march 2012 with a zoom h2, mics set to 90° dispersion.

1:56 field recording of exterior daytime environmental windy day in an exposed lincolnshire countryside location, but with mics completely shielded inside a bus-shelter for a less in your face perspective. Mics are pointed upwards into the wooden box roof of the shelter, which has added a somewhat eerie and disconcerting lower mid rumble to the scene. Recorded with a balanced stereo pair of mics and edited to remove intrusions.

Loopable eletro hit made in fl studio. You can use my sounds freely. It would be great if you credit me. Leave a comment and tell me for which project you used it. Daniel lucas, danlucaz. 2019.

Created with samplisizer 1. 2 @szymalix.

Laboratory refrigerator, with beeping, plus the sound of a door being closed in the background, field recording. Recording device: roland r-26 portable digital recorder. Microphone: built-in directional xy stereo microphone. Sample rate: 44100 hz. Rec format: wav 16-bit. Edited in: adobe audition (adjusted gain slightly, for a good signal level). Date and location: october 2015, a laboratory in sweden. Other: this is an original recording, by myself, which i make available to all via freesound. Org under a creative common 0 (zero) license, i. E. I am putting it into the public domain. You do not have to ask me for permission or credit, attribute, or reimburse me. I hope the sound effect, or parts of it, can be of some use to someone somewhere. Good luck with your projects!kent. Ps. Please comment and rate. .

Used a mini mod filter and tuned it up slowly so you can cut out the wanted pitch, switch daw to 120bpm to cut it preciselyenjoy.

This is an electric guitar loop i constructed in logic 9 using musiclab's realstrat and realeight. Nice plug-ins. Check out prominy if you are looking for even more realistic virtual instrument guitars. 106 bpm.

This is a pack of 92 acoustic percussion samples, made from various instruments sitting unused at my house, djembes, darabouka, maracas, composite pipe, pvc, cardboard and wooden scraps, they are all simply recorded with a cheap sm57 clone from t. Bone using ardour, there is no special editing made except for som noise removal in audacity. I needed a repository of percussive short decay organic sounds for my own projects so i made this pack, feel free to use without mentioning me, although i'm always happy when people send me links of their creations.

Electro-orchestral soundtrack music generated with ai and rearranged + edited + mixed with ableton. Epic vibe, heroic, orchestral drums, touching melody of keys, transition fx, distant choir, some toms. 95bpm.

Bi-drum finale. This sound provides an impact point, an action conclusion suggestion. I combined two drum sound samples, one of the impact with a deep echo, and one a hollow wood tube strike against a hard object to a certain rhythm. The sound is somewhat like the primal drum sounds used in survivor. I used magix music maker, magix software gmbh (www. Magix. Com) with two object plug-ins; solar wood 6_ogg_001. Hdp, and right huge impact_ogg_001. Hdp. Enjoy. C gillespie sound library.

1:10 field recording of exterior environmental wind in the hedgerows in the daytime, with some day birds in the distance. Edited to remove intrusions, and not recorded with a balanced stereo pair of mics.

2:54 field recording interior of an empty lincolnshire office ambience on the third floor during high winds. Mics in the closed window. Recorded with a stereo pair of (different make) mics and edited to remove intrusions. Filter at 90hz.

I made this loop in logic 9 testing a new virtual guitar instrument. Bpm: 95. Key: e minor.

This is a full acoustic drumkit sampled at multiple velocities with drum sticks and brushes, it was recorded in a small jazz bar at a local music school, i recorded this a long time ago with a zoom h1 portable recorder. It would still need some sorting and tweaking to build a soundfont or hydrogen drumkit which i want to do in the future but it will probably not be anytime soon.

Drum: pearl sensitone steel 14" x 5. 5". Head: genera dry. Mic configuration: mono room, two overheads [spaced pair], batter head, reso head. I did basic eq cuts and boosts with some compression. No limiting used. Each articulation was carefully played and gain adjusted to seem as natural as possible. My goal was to also create a multi sampled snare drum that could be drag and dropped into a sampler with ease. Articulations: x-soft, soft, medium, hard, and crack. ***i will post a link to the complete multisample pack for all to download soon.